Christine Shively - Artist Statement Exploring the possibilities of creating a character with fabric is an extension of a life time fascination with three dimensional forms. The voices of India have called to me for many years. I have been inspired and influenced by the unique combination of simplicity of form and the complexity of embellishment. One of the elements of the costuming of India, that has always appealed to me is the juxtaposition of highly opulent materials placed next to something as mundane as cheap sequins. The ability to pull of that kind of duality is fascinating. An ancient connection to doll making and storytelling is ever present in my work. Experimenting with new techniques in drawing, painting, beadwork, embroidery, problem solving structural and aesthetic problems, and educating myself on historical and cultural heritages, contributes to the continual growth and change in my figures. Exploring the fertile territory of India always renews my creative spirit. Manipulating basic shapes in new and different ways plays an important role in the creation of my characters. The example of a basic sari, and the beautiful outcome that folding and wrapping a long rectangular piece of fabric can create is only the beginning of the love affair to come that is rooted in India. Asking the question: How do I begin with a core inspiration…in this case India….and then go beyond those elements to create something unique, yet retain the flavor of the core idea? How can I introduce the element of improvisation into the mix? If I introduce costuming structures into the composition from other areas and time frames, can I create something fresh and unique? The emersion of one's creative endeavors, and individual perspectives, reap the bounty of discovery. These concepts will be ever present as we take our Passage to India. One day class. Figure, Basic Costuming and Face. A 17 inch tall fabric figure. The inspiring aspects of India involving color, pattern and gesture will be some of the elements of this class. Creating a standing figure that evokes the Spirit of India will open the doors for students to explore the possibilities. The student will construct a standing figure that will stand on her own without internal or external armature. A template method will be used to attain consistency in the shape of the hands, face, legs and torso. The individual fingers are wired and pose-able. The student will use classic pictures of the women of India to place the arms and hands to evoke the Spirit of India. The figure will have a midriff top with visible cleavage, short sleeves, and ankle length leggings. A fabric slipper using fabric, gold trim and ultra suede will enable the figure to stand on her own and be ready for clothing options. A segment on drawing and painting a convincing face will be a part of the class. The doll has a pancake head with some darts to provide some extra volume to the back of the head. Acrylic paint, pigma pen, and colored pencils will be used to create highlight and shadow and give the illusion of depth. Black Wool roving is used for the hair. An amazingly simple method of attaching the hair will be discussed and demonstrated. A small segment of the class will address simple draping and folding techniques will be demonstrated. Doing a great deal using very little using volume of fabric and manipulation introduces the student to the brilliantly simple folding and layering of fabric in the costuming of India. HOMEWORK for Passage to India : The student will receive a pattern in advance of the class. A class letter will be provided so that the student knows the items to prepare in advance. Homework is essential for making progress in class. No sewing machine required for the class because that is accomplished ahead of time. Sewing of the body and clothing items is recommended before class. The student is encouraged to ask questions if an item is unclear, in order to avoid any confusion on the prep work. This class is for Intermediate and advanced Doll makers. Pattern for the class: $14.00 |
